{"id":19881,"date":"2026-11-10T13:36:25","date_gmt":"2026-11-10T11:36:25","guid":{"rendered":"https:\/\/serafinozani.it\/le-design\/"},"modified":"2026-11-10T13:37:00","modified_gmt":"2026-11-10T11:37:00","slug":"le-design","status":"publish","type":"page","link":"https:\/\/serafinozani.it\/fr\/le-design\/","title":{"rendered":"Design"},"content":{"rendered":"

[vc_row el_class=\u00a0\u00bbsz-page sz-section sz-split sz-split–rev sz-pos-design\u00a0\u00bb equal_height=\u00a0\u00bbyes\u00a0\u00bb content_placement=\u00a0\u00bbmiddle\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/2″ el_class=\u00a0\u00bbsz-split__text\u00a0\u00bb][vc_column_text]Design<\/b><\/span><\/p>\n

Le design comme rencontre<\/h1>\n

Un projet na\u00eet lorsqu\u2019une id\u00e9e rencontre un mat\u00e9riau et une mani\u00e8re de l\u2019utiliser. Pour Serafino Zani, le dialogue avec les designers a ouvert plusieurs regards sur la cuisine et la table : formes essentielles, gestes quotidiens et objets qui racontent leur \u00e9poque. D\u00e9couvrez les auteurs \u00e0 travers leurs projets, dans un parcours reliant collections actuelles et archives.<\/p>\n

[\/vc_column_text][\/vc_column][vc_column width=\u00a0\u00bb1\/2″ el_class=\u00a0\u00bbsz-split__media\u00a0\u00bb]\t\t

\n\t\t\t\n\t\t\t\"Dessin\n\t\t\t\t\t<\/div>\n\t\t[vc_column_text]<\/p>\n

Dessin de projet. Photographie des archives de l\u2019entreprise.<\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_class=\u00a0\u00bbsz-page sz-section sz-reveal\u00a0\u00bb][vc_column][vc_column_text]<\/p>\n

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Tarcisio Zani<\/h3>\n

De la recherche sur les r\u00e9cipients \u00e0 Karen et Vickers, le projet na\u00eet du dialogue direct avec le travail de l\u2019acier.<\/p>\n

Karen<\/a> \u00b7 Vickers<\/a> \u00b7 Genesis<\/a> (archives)<\/small> \u00b7 Otello<\/a> (archives)<\/small><\/p>\n<\/div>\n

\n

Andrea Zani<\/h3>\n

Tullio inscrit son travail dans le parcours de la marque, avec des r\u00e9cipients dont les formes et d\u00e9tails accompagnent les gestes quotidiens.<\/p>\n

Tullio<\/a><\/p>\n<\/div>\n

\n

Liliana Bonomi<\/h3>\n

La connaissance des proc\u00e9d\u00e9s de fabrication nourrit le dessin des objets. Stripes, Planetarium et Elaios expriment plusieurs aspects de sa recherche.<\/p>\n

Stripes<\/a> (archives)<\/small> \u00b7 Planetarium<\/a> (archives)<\/small> \u00b7 Elaios<\/a> (archives)<\/small><\/p>\n<\/div>\n

\n

Konstantin Grcic<\/h3>\n

Passami il Sale, Al Dente et Accento relient langage essentiel, fonction et caract\u00e8re de l\u2019acier.<\/p>\n

Passami il Sale<\/a> (archives)<\/small> \u00b7 Al Dente<\/a> (archives)<\/small> \u00b7 Accento<\/a> (archives)<\/small><\/p>\n<\/div>\n

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Ettore Sottsass<\/h3>\n

La cucina sapiente e la tavola contenta, engag\u00e9 en 2004, r\u00e9unit r\u00e9cipients, couverts et objets de service dans une r\u00e9flexion sur le quotidien.<\/p>\n

Bon Appetit<\/a> (archives)<\/small> \u00b7 Cinque Stelle<\/a> (archives)<\/small> \u00b7 Offerta<\/a> (archives)<\/small><\/p>\n<\/div>\n

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Andries Van Onck et Hiroko Takeda<\/h3>\n

Les couverts Serafino explorent le rapport entre forme et geste, avec une inspiration de la feuille de ginkgo.<\/p>\n

Serafino<\/a><\/p>\n<\/div>\n

\n

Tapio et Sami Wirkkala<\/h3>\n

Finlandia t\u00e9moigne de la rencontre avec le design finlandais et d\u2019une recherche sur les proportions des objets de table.<\/p>\n

Finlandia<\/a> (archives)<\/small><\/p>\n<\/div>\n

\n

F. A. Porsche<\/h3>\n

Impulse interpr\u00e8te la casserole comme un ensemble coh\u00e9rent de composants et de fonctions.<\/p>\n

Impulse<\/a> (archives)<\/small><\/p>\n<\/div>\n

\n

Isao Hosoe<\/h3>\n

Avec Mach, l\u2019objet \u00e0 caf\u00e9 devient un terrain de recherche sur la forme, l\u2019identit\u00e9 et l\u2019usage.<\/p>\n

Mach<\/a> (archives)<\/small><\/p>\n<\/div>\n

\n

Angeletti et Ruzza<\/h3>\n

Zero\u2019s rejoint l\u2019histoire du service \u00e0 table avec un dessin consacr\u00e9 aux objets quotidiens.<\/p>\n

Zero\u2019s<\/a> (archives)<\/small><\/p>\n<\/div>\n<\/div>\n

[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row el_class=\u00a0\u00bbsz-page sz-section sz-split sz-split–rev sz-pos-design\u00a0\u00bb equal_height=\u00a0\u00bbyes\u00a0\u00bb content_placement=\u00a0\u00bbmiddle\u00a0\u00bb][vc_column width=\u00a0\u00bb1\/2″ el_class=\u00a0\u00bbsz-split__text\u00a0\u00bb][vc_column_text]Design Le design comme rencontre Un projet na\u00eet lorsqu\u2019une id\u00e9e rencontre<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-19881","page","type-page","status-publish","hentry"],"yoast_head":"\nDesign et designers | Serafino Zani<\/title>\n<meta name=\"description\" content=\"Un projet na\u00eet lorsqu\u2019une id\u00e9e rencontre un mat\u00e9riau et une mani\u00e8re de l\u2019utiliser. Pour Serafino Zani, le dialogue avec les designers a ouvert plusieurs regards...\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/serafinozani.it\/fr\/le-design\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Design et designers | Serafino Zani\" \/>\n<meta property=\"og:description\" content=\"Un projet na\u00eet lorsqu\u2019une id\u00e9e rencontre un mat\u00e9riau et une mani\u00e8re de l\u2019utiliser. 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